Tag Archives: women

Ask. Seek. Desire. Expand. Move. Feel. Be.

There she is. . .
The one who loves too hard, feels too deeply, asks too often, desires too much.
There she is taking up too much space, with her laughter, her curves, her honesty.
Her presence is as tall as a tree, as wide as a mountain. Her energy occupies every crevice of the room.
There she is causing a ruckus with her persistent wanting. She desires too much happiness, too much alone time, too much pleasure. She’ll go through brimstone, murky river, and hellfire to get it. She’ll risk all to quell the longings of her heart and body. This makes her dangerous.
She is dangerous.
And there she goes, making people think too much, feel too much, swoon too much. She with her authentic prose and a self-assuredness in the way she carries herself. She with her belly laughs and her insatiable appetite and her proneness to fiery passion.
Too loud, too vibrant, too honest, too emotional, too smart, too intense, too pretty, too difficult, too sensitive, too wild, too intimidating, too successful, too fat, too strong, too political, too joyous, too needy—too much.
She should simmer down a bit, be taken down a couple notches.
Someone should put her in her place.
Here I am. . . with my too-tender heart and my too-much emotions.
A hedonist, feminist, pleasure seeker, empath.
I want a lot—justice, sincerity, intimacy, actualization, respect, to be seen, to be understood, your undivided attention, and all of your promises to be kept.
I’ve been called high maintenance because I want what I want, and intimidating because of the space I occupy. I’ve been called selfish because I am self-loving. I’ve been called a witch because I know how to heal.
And still, I want and I feel and I ask and I risk and I take the air that fills my lungs.
I must.
We are so afraid, terrified of her big presence, of the way she commands respect and wields the truth. We shame her for her wanting, for her passion.
And still. . . she thrives.
She is me, she is you, and she is loving that she’s finally, finally getting some airtime.
If you’ve ever been called “too much,” or “too emotional,” or “bitchy,” or “stuck up,”. . . I implore you to embrace all that you are—all of your depth, all of your vastness; to not hold yourself in, and to never abandon yourself, your bigness, your radiance.
Forget everything you’ve heard—your too much-ness is a gift; oh yes, one that can heal, incite, liberate, and cut straight to the heart of things.
Do not be afraid of this gift, and let no one shy you away from it. Your too much-ness is magic, is medicine. It can change the world.
Ask. Seek. Desire. Expand. Move. Feel. Be.
Make your waves, fan your flames, give us chills.
Please, rise.
We need you.
**** this is an edited version of author Ev’Yan Whitney’s work. I took the liberty of my own emphases, like she told me too. Thank you, Ms. Whitney, and right back at you.

A Book Review: The Goldfinch

IMG_4548-0.JPG

It’s not easy being a human, flawed and insatiable as we are. Even when we know an action will cause our own detriment, we continue to pursue or perform such activity, time and time again. Einstein defined insanity as doing the same thing over and over and expecting different results. This is the human condition: the thin line of insanity that we walk, hoping for change, or hoping for the same, but mostly just insane for hoping. Yet hope is what makes us most human. Hope brings us closer to one another, perhaps hope tears some of us apart, but hope is what makes the insane person, and hope is why we create art.

In The Goldfinch, Donna Tartt draws upon every fallible bit of humanity, letting us explore through a collection of characters as real as the insanity they portray, exactly what it is to be human. Taking place in Amsterdam, Park Avenue, Las Vegas and the Village, the plot follows a Renaissance painting of a little goldfinch with a chain around it’s ankle. We are pulled through this seamlessly written novel by our earlobe, knowing full well that it is simply the human condition which carries Theo along. He grows into a man through the pages, while we stay hopeful that he might just do it differently this time. It is the set of characters that Theo meets along the way, however, which have me calling this my favorite book of 2014. Boris, the Russian, and Hobie, the antique furniture connoisseur/repair man, are equally alluring in their juxtaposition of darkness and light. Why Theo treats each of them the way that he does, defines the agony that it is to be human.

Ms. Tartt has created a place that I long to visit, the way that I long to tell the me of a decade ago how to make better choices. There is no visiting Theo in Park Avenue as he mourns the death of his mother though, just as there is no way to revisit the me of the past. It is the cross we bear, the knowledge that the choice may come again, along with the wonder of whether we’ll have the strength to decide not to cross the line of insanity this time, or whether to leap right across it – again.

I recommend you read this book, because it is a shot of life. Strong and hard to swallow, but there is a sweet aftertaste and I do think you’ll feel better afterwards. As Tartt so aptly puts it, “Whatever teaches us to talk to ourselves is important: whatever teaches us to sing ourselves out of despair.” We are a tragic lot, us humans, but there is always hope.

Singleminded Aunt Ida

The sister stands to the side, she sighs. Four weeks to the day since her divorce was final. Six months since she walked out the door. Her sister’s engagement doesn’t make her miss her ex-husband, not a thing could induce such emotions, but it does make her feel her aloneness.

There is a thing in this culture, a big stark white elephant in the room or the park or the engagement party, about a woman alone. She doesn’t have a date, so something must be wrong with her. Is she a lesbian? The relatives begin to ask. The complicated affairs which ended her marriage are too convoluted to share with Aunt Ida, so she asks her nephew if his daughter is of another persuasion. Because how could a pretty, smart, seemingly sane girl, be alone? She feels, and the rest of the party would be lying if they disagreed, that there is something wrong with her.

A single man is a bachelor. He’s playing the field, taking his time, finding the right choice. A single woman is waiting, idle while the universe decides when the right man should come along. As if she has nothing to do with the matter when it’s right, however, everything to do with it when it’s wrong. Some wrong choice that she made, or series of choices, that left her flawed, flippant, or scorned.

She sighs again and finishes her champagne. Fuck you Aunt Ida, she thinks, walking away. Nothing is wrong with me. Nothing is wrong with alone.

The Gene Pool Lottery

#LikeAGirl  <– CLICK for Video

 

Genetics are dumb luck as far as I’m concerned. Throughout history, whether you were born into the working class or the aristocracy was your fate. These days, we live in a world where you can change your stars. That is, if you were born in a first world country, and you are provided education. I could’ve been born a girl in Pakistan or I could’ve been born a boy in Western Africa. I got lucky, though. I won the gene pool lottery.

My mother and father are the winged unicorn of married couples. They have been married over forty years, they still love each other, and they still like each other. They sing show tunes and “I Got You, Babe,” there’s a video of that that I will never post – you’re welcome. My father supports my mother in all of her endeavors. He shows me the same respect. He supported me through soccer and water polo and cheerleading, expecting me to do my best in each of them. My brother never cut me any slack. No one ever let me win and when I won, no one was surprised.

My paternal grandmother was a golf pro. Even after she won a fight with breast cancer, after a full mastectomy, she returned to the game, as a pro. If that isn’t tough, I don’t know what is. My maternal grandmother had four kids, an airline pilot husband who was off flying most of the time, and was a league tennis champ. These women were stylish and clever and strong, like a girl, so why isn’t that how the phrase is applied?

Only once in my house did I hear the phrase, “like a girl”. My neighbor and I were putting on our rollerblades. I had wrist guards and he didn’t. “Do you want to use these?” I asked. “No,” he shrugged, “you need them. You skate like a girl.” Later that day when my mom was about to take him home, I shut that boys fingers in the car door. We were about eight years old and I played it off like it was an accident. I’m not sure that he even correlated the two incidents, he was quite literally crushed. I cannot honestly say I didn’t feel a sense of victory in hurting him physically, for the way he had hurt my young and developing physicalness. I’m sure if I did something like that today I would be called a “psycho bitch.” And would you agree?

I bet you would. I was a child, and of course what I did was wrong. Even then I felt bad and apologized profusely. But here’s my problem. You don’t poke a lion and expect to walk away unscathed. You don’t insult a man and expect there won’t be repercussions. So why can you tell a girl that she’s doing something “like a girl” and not expect her to prove to you exactly what that means?

YES, I AM A GIRL. I am able bodied and smart, and I will retaliate against your sexism in one way or another. My brother and my father taught me to. My mother and my grandmothers told me that skating faster than him was enough, and not to rub it in. But I disagree.

I want to change the stars. I want young boys and girls to know that they can do and be anything without gender factoring in as a limitation on that. I want to speak my mind, and I want to do it proudly, like a girl. So tell me, why doesn’t “run like a girl” mean win the goddamn race?